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Early American Cinema in Transition: Story, Style, and Filmmaking, 1907-1913 (Wisconsin Studies in Film, Kristin Thompson, Supervising Editor; David Bordwell and Vance Kepley, Jr., General Editors)

  • Authors: Charlie Keil - Charlie - Keil
  • ISBN 10: 029917364X
  • ISBN 13: 9780299173647
  • Edition: 1st
  • Release: January 10, 2002
  • Format: Paperback (320 pages)
  • List Price: $24.95
  • More Details

    List Price: $24.95

    Tags: Entertainment, Movies, General,

    Book Description:
    The years 1907-1913 mark a crucial transitional moment in American cinema. As moving picture shows changed from mere novelty to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production procedures also influenced filmmaking. In Early American Cinema in Transition, Charlie Keil looks at a broad cross-section of fiction films to examine the formal changes in cinema of this period and the ways that filmmakers developed narrative techniques to suit the fifteen-minute, one-reel format. Keil outlines the kinds of narratives that proved most suitable for a single reel's duration, the particular demands that time and space exerted on this early form of film narration, and the ways filmmakers employed the unique features of a primarily visual medium to craft stories that would appeal to an audience numbering in the millions. He underscores his analysis with a detailed look at six films: The Boy Detective; The Forgotten Watch; Rose O'Salem-Town; Cupid's Monkey Wrench; Belle Boyd, A Confederate Spy; and Suspense.

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