A critical study of "The Changeling" for use by A-Level students and undergraduates. Michael Scott discusses the play and its authors as well as providing a textual commentary and character analysis. He also considers the modern view of the play and details the important productions of the play since its first showing in 1623. The final section deals with the fundamental differences between the society from which this play has emerged and our own.
Literature-Fiction, History-Criticism, Movements-Periods, Renaissance,