“Brilliant . . . harrowing. . . . Packs the impact of an exploding mortar shell.”—Kai Maristed, Los Angeles Times In the tradition of William Faulkner and Gabriel García Márquez, one of the twentieth century’s most original literary voices offers “kaleidoscopic visions of a modern Portugal scarred by its Fascist past and its bloody colonial wars in Africa” (Paris Review). Hailed as a masterpiece of world literature, The Land at the End of the World—in an acclaimed translation by Margaret Jull Costa—recounts the anguished tale of a Portuguese medic haunted by memories of war. Like the Ancient Mariner who will tell his tale to anyone who listens, the narrator’s evening unfolds like a fever dream that is both tragic and haunting. The result is one of the great war novels of the modern age.